What was the imagist movement? How did it
influence modernist poetry?
Webster's New Collegiate Dictionary defines Imagism as “a movement in
poetry advocating free verse and the expression of ideas and emotions through
clear precise images". Imagism as a literary movement flourished in England and
America between 1912 and 1917. Its chief exponents included Ezra Pound,
T.E.Hulme, Hilda Doolittle, Richard Aldington and Amy Lowell. But it was Pound
who christened the movement as Imagism. In 1912 he wanted to send some
poems written by Hilda Doolittle ('H.D') to Poetry, a magazine edited by
Harriet Monroe. Since Hilda Doolittle had not published any poems till that
date, Pound felt that it was better for her if she belonged to some particular
school of poetry. Therefore, he added to the manuscript the words "H.D
Imagiste". That was the origin of the imagist school.
Unfortunately, from the very beginning,
controversies haunted the school. D.H. Lawrence who wrote some imagist poems
dumped the movement as "just an advertising scheme" of Pound. All the
controversies that blotted the movement are documented by Timothy Materer in an
interesting article- "Make it sell! Ezra Pound Advertises Modernism".
Materer sees Pound as a shrewd propagandist who selected a French term to name
the school, as cultural movements are best advertised in that language. The
French title, moreover, implied some romantic connection with the Greats like
Baudelaire and Mallarme. Pound, according to Materer, also hinted at some
mysterious aspects of the school, again true to the advertiser's practice of
referring to some "secret ingredient x", "xylitol" …
that only the user of the product can appreciate". Though his advertising
genius made the Imagist movement an immediate success (four anthologies were
published in as many years), Pound was in for a disappointment as the movement
was hijacked by Amy Lowell.
Amy Lowell who later became the leader of the movement was brought into
it by Pound himself. It was Pound who published one of her poems in his
anthology Des Imagistes (1914). But she had enormous financial resources and
literary connections and a "Madison Avenue ruthlessness" (Materer) to
match them. She took over the Imagist brought and out three anthologies in
1915, 1916 and 1917 to which Pound refused to contribute. However, he could do
nothing but to dub the movement as "Amygism" and its new leader as
"hippopoetess". Pound turned away from Imagism to a new movement called Vorticism, which was essentially
not much different from the former. Hilda Doolittle's poems dominated Vorticism
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