The
play–within- the play occurs in Hamlet Act II, Scene III.
This was a well – known dramatic device in Shakespeare’s days used to give an
interesting turn to the plot and to further the theme. Kyd in his famous Spanish
Tragedy had favoured such a device successfully and this might have
prompted Shakespeare to introduce it in Hamlet,
which had some elements of revenge tragedy in it. We should now see how this
play – scene affects the course of play to be able to measure its real
significance.
We
know already that Hamlet learnt of his father’s foul murder through poisoning
by Claudius and of his mission to avenge his father’s death as ordered by his
father’s Ghost. Hamlet , however , was still in doubt and procrastinated, when
the touring players arrived and the idea of testing the quiet of the king by a
play suddenly hit him. “The play is the thing”, he exclaims, “to catch the
conscience of the king”. By enacting the play, Hamlet thought he could clear
himself of double – that about the honesty of the Ghost and the other about the
occulted guilt of his uncle who was now the king (Claudius). This is the main
motive of the play – scene.
The
play is preceded by a summary dumb – show, which largely goes unnoticed by the
royal couple (Claudius and queen) busy in whispering conversation. Than the
actual play The Murder of Gonzaga begins with its story of a happy king who
recalls a happy married life of three decades and expresses his devout desire
for the extension of that marital bliss. The Queen , however , shows her
anxiety about the health of the king who again confirms that he is approaching
the end of his mortal journey. The Queen protests that if it would come to that
she would never marry again. The King gently contradicts her when out of wisdom
born of experience he pithily pronounces that out loves change with our
fortunes. As a reaction, we find the Queen making frenzied protestation of her
eternal constancy. The king feels drowsy and falls asleep when the Queen leaves
and the King’s nephew enter to pour deadly poison in the ears of the sleeping
king.
The
play – scene has also been called the mouse – trap scene. In fact the trap is
well – laid in advance by Hamlet who tells Horatio only his basic purpose while
asking him to keep a constant watch on the kings (Claudius) face during the
poisoning scene. During the play
Hamlet keeps himself busy in various ways indicative of his method in madness.....................
0 comments:
Post a Comment
Note: Only a member of this blog may post a comment.