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How does Osborne present marital relationships in Look Back in Anger?



How does Osborne present marital relationships in Look Back in Anger?

            One of the main themes dramatized by Osborne’s Look Back in Anger is the failure of the institution of marriage in post-war British society and links this failure to the feeling of class consciousness. The couple in Look Back in Anger fails to lead a marital life based on mutual love, respect and responsibility. Jimmy and Alison’s cross-class marriage is a total deception of the institution of marriage in a Christian society. The Catholic Church defines marriage as follows: “marriage, as designed by God, is a faithful exclusive lifelong union of a man and a woman joined in an intimate community of life and love”. The definition also emphasized mutual love and respect, and also emphasized the fact that difference should lead to complementarity. Yet, marriage in this play seems to violate these rules. It is assumed that Jimmy’s marriage to Alison is his first step to get himself out from the bottom to the top of the social hierarchy. However, it caused “a storm in the social circle of Alison”(Mor 143) as well as in their personal life. From the very beginning of the play, Jimmy and his wife are portrayed as vile enemies. More specifically, Alison is the main target of his constant attacks. He launches a verbal war against her and everyone who belongs to her social class and considers them as his “natural enemies”. Very offensive expressions are used to insult them and without any exception, such as “stupid bitch, militant, arrogant, pusillanimous”. Such diction used in a communication between spouses certainly intensifies their hostility and antagonism...........


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Milan Tomic

Hi. I’m Designer of Blog Magic. I’m CEO/Founder of ThemeXpose. I’m Creative Art Director, Web Designer, UI/UX Designer, Interaction Designer, Industrial Designer, Web Developer, Business Enthusiast, StartUp Enthusiast, Speaker, Writer and Photographer. Inspired to make things looks better.

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