Comment on the importance of the setting in
Wuthering Heights.
The impassioned happenings of Emily Bronte’s
classic novel fittingly take place in the desolate and miserable landscape of
the Yorkshire Moors. Emily Bronte’s surroundings clearly had a gravitational
effect on her literature; she grew up in the small and somewhat isolated
village of Thornton, West Riding of Yorkshire, and later moved to Haworth, a
village surrounded by moorlands far and wide. In fact, she is supposed to have
based the locations of her renowned novel on landmarks in the local area;
Ponden Hall is reputedly Thrushcross Grange, and Top Withens is alledgedly the
setting for Wuthering Heights.
“Fiction depends for its life on place.”
American author Eudora Welty said, “Place is the crossroads of circumstance;”
Bronte would almost certainly have agreed. The setting for her book Wuthering
Heights plays a vital role in the progression of the novel; typical of
Gothic literature, the isolation and harshness of the landscape adds to the
foreboding and ominous atmosphere prominent in the book. The wild and primitive
backdrop to the tale can be not only pitiless (“I had half a mind to
spend it by my study fire, instead of wading through heath and mud to Wuthering
Heights”), but it can also act as a sanctuary. Heathcliff and Catherine retreat
to the rugged moors to escape Hindley’s cruelty, and in this way the two grow
close.
The idea of isolation is vital in a Gothic
novel; the second half of Austen’s Northanger Abbey takes
place in an old and secluded abbey; Thornfield Hall (of Jane Eyre)
is all the more ominous because of its solitude and emptiness – not only does
this accentuate Jane’s sense of entrapment, but it also reflects Rochester’s
mood upon her arrival; many readers claim that the scariest parts of Frankenstein are
those set in the French Alps – the landscape only serves to emphasize
Frankenstein’s helplessness. Another example is found in Bram Stoker’s Dracula;
Count Dracula traps Jonathan Harker in his gloomy castle, and he is unable to
leave, not only due to his fear of Dracula, but also because of his fear of the
wilderness of Transylvania. This is a key theme in all Gothic literature: the
sense of isolation and helplessness, and this mood is created not only by the
story, but also by the setting. Nelly and Cathy fall victim to this sense of helplessness
when Heathcliff, Bronte’s Byronic hero, keeps them captive at Wuthering
Heights. Thus, Bronte is clearly making use of the desolate landscape...................................................................................
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