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Comment on Wordsworth’s distinction between Imagination and Fancy in Preface to Lyrical Ballads.


Comment on Wordsworth’s distinction between Imagination and Fancy in Preface to Lyrical Ballads.

In order to understand Wordsworth's view on imagination, we have to go to his poems, and to his letter. In ‘The Preface’, the word occur first when Wordsworth tells us that his purpose has been to select incidents and situations from humble and common life and make them look uncommon and unusual by throwing over them a coloring of imagination. This clarifies that imagination is a transforming and transfiguring power which presents the usual in an unusual light. The poet does not merely present “image of men and nature” but he also shapes, modifies and transfigures that image by the power of his imagination. Thus imagination is creative; it is a shaping or ‘plastic’ power. The poet is half the creator; he is not a mere mechanical reproducer of outward reality, but a specially gifted individual, who, like God, is a creator or maker as he adds something to nature and reality. It is the imagination of the poet which imparts to nature, the ‘glory and freshness of a dream’, the light that never was on land and sea.

In making the poet’s imagination a creative power, Wordsworth goes counter to the ‘associationist’ theories of David Hartley who had considerable influences on the poet. Hartley and other associationist psychologist thought that the human mind receives impressions from the external words, which are therein associated together to form images. In this way, the mind merely reflects the external world. But according to Wordsworth the mind does not merely reflect passively, it actively creates. At least, it is half the creator. Imagination is the active, creative faculty of the mind. As Florence Marsh points out, for Wordsworth imagination is a mental power which alters the external world creatively.

“It is a word of higher import, denoting operations of the human mind upon those objects and processes of creation or composition, governed by certain fixed laws."

It is through imagination that the poet realizes his kinship with the eternal. Imagination works upon the raw material of sense impressions to illustrate the working of external truths. It makes the poet perceive the essential unity of “man, God and Nature” while “the meddling intellect” of the scientist multiplies diversities.....................................................................................................................................

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