Bring
out the distinctive features of Spenser’s poetic art with reference to his
description of the Bower of Bliss.
Home of the
bewitching and alluring witch Acrasia, the Bower of Bliss is one of the most
memorable and strange places in the whole of The Faerie
Queene. Coming at the end of Book 2, The Book of Temperance, the Bower of
Bliss represents the ultimate challenge to our hero of temperance, Guyon, by
embodying everything temperance is not. What happens in the Bower
of Bliss stays in the Bower of Bliss.
The Bower of Bliss shares some commonalities with the Garden of Eden,
and is framed as potentially dangerous. The Bower of Bliss, as described in
Book II, canto XII, is guarded by a gate: “No Gate, but like one, being goodly
dight/ With boughs and Branches, which did broad dilate/ Their clasping Arms,
in wanton Wreathings intricate”. This gate, though beautiful, guards the bower
and conveys a sense of privacy. Once inside, Guyon and Palmer meet a woman;
“Under that Porch a comely Dame did rest/ Clad in fair Weeds, but foul
disordered/ And Garments loose, that seem’d unmeet for Womanhed”. This
depiction, in context of Pierce’s model of signs as embodied feeling, gives the
passage an ominous overtone. The woman’s beauty, interpreted at face value, is
appealing, but in combination with her unseemly garments, seems a sort of trap.
Indeed, she does attempt to ensnare the travelers with her cup of wine, made
from the fruit of the Bower. She squeezes the fruit into the cup, and “That so
fair Wine-Press made the Wine more sweet/ Thereof she us’d to give drink to
each/ Whom passing by she happened to meet;/ It was her guise, all Strangers
goodly so to greet”. The woman, with her tempting cup of wine, brings to mind
the Serpent in the garden of Eden, as the bower in which she is situated is
very beautiful, “the most dainty Paradise on ground,” and what is natural
beauty without an element of danger or temptation? Indeed, the woman is
identified as Excess, who poses a threat to all she encounters. One might
interpret her on a symbolic level as representing man’s draw to exploit natural
beauty to excess.
The Bower is
full or erotic, gustatory (taste-related), and visual temptations that invite
excess rather than moderation, consumption rather than abstinence. In its seeming natural
beauty—but just seeming, never real—the bower evokes ideas of the Earthly
paradise of Eden, however this too is part of its temptation, since it's a
false and perverse version of Eden. Just like Vegas is a false and perverse
version of Venice, Paris, New York, and Luxor.
However, what
makes the Bower of Bliss such a fascinating moment poetically is the beauty of
Spenser's writing here and its ability to lure the reader into its delights
along with Guyon. Critics have often wondered why Spenser so beautifully
described a place that we are meant to understand as false, and there's no easy
answer.............................................................................................................
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