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Critically analyse the Banquet Scene in Macbeth



Critically analyse the Banquet Scene in Macbeth

In order to satisfy the popular taste of the contemporary audience for melodramatic presentation of materials on the stage, Shakespeare presents a popular spectacle on the stage in the form of Banquo’s ghost in Macbeth, which subsequently has come to generate numerous debates, readings and, of course, presentation on both the stage and the celluloid. Whether the ghost of Banquo is subjective or objective is variously debated, and the best way to judging this is to appreciate the scene from the chair of an audience at the theatre, not from the easy chair of a reader at home. On the stage the ghost is visible only to Macbeth and the audience, both of whom understand the cruelty involved in the act of murder, while the other characters are supposed to be unaware of its presence. In this perhaps it becomes possible to understand that Banquo’s ghost plays an important and integral role in the development of the tragic action of the play and in bringing about the nemesis of Macbeth.

The Banquet Scene (scene iv, Act III) opens at the royal hall of Scotland with the banquet ready celebrating Macbeth’s coronation. The audience find the couple now at the height of double-dealing, and detect in the opening words of the new king tinge of irony: “You know your own degrees…” The fact is that it is Macbeth who has forgotten his degree, his limitation as a human being. Therefore, the arrival of Banquo as a ghost is necessary to expose this treacherous person. But before that, treachery has been highlighted in the act of offering the banquet. One may detect here an ironic reversal of the Last Supper offered by Christ, the Saviour. In fact, Macbeth’s act of murdering the king and thus violating the moral order is re-enacted in his consecration of such a sacred tritual as offering a communal feast, a ritual which has been looked upon as a gesture of faith and fraternal bond existing in the community everywhere and always in the human culture. Fittingly enough, the announcement of the banquet is disturbed and delayed by the arrival of the first murderer at the door. It should be noted here that Macbeth becomes alarmed at the sight of blood on the face of the murderer. It may be surmised whether the blood of Banquo, and the news of the escape of Fleance, leaving behind the possibility of the fulfilment of the Witches’ prophecy, unhinge his mind for the moment. He says himself, “…now I am cabin’d, cribb’d, confined, bound in Saucy doubts and fears.”........................


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Milan Tomic

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