What
does the chorus contribute to Seneca’s play Thyestes?
Or,
Critically comment on the significance of the chorus in Seneca's Thyestes.
The relationship between the
choruses of Seneca's tragedies and the action of the plays in which they occur
is one of the least understood and most controversial aspects of the Roman
dramatist's work. It is often asserted that Seneca's choral odes are mere
act-dividers, that their relationship with the play's action is loose and
unconvincing. Similarly the role of the chorus in Seneca’s tragedy Thyestes is
absolutely unique in the theatre of classical antiquity, and this is because
they remain wholly ignorant until the fourth act, when a messenger explains to
them what had happened thus far, notably Atreus’ plot to feed Thyestes his
children. In a conventional sense, an ignorant chorus is useless, as the
traditional and conventional Greek chorus is an omniscient narrator and is thus
an invaluable tool for the writer; he needn’t be unsubtle for the sake of the
audience, as the chorus will periodically explain what has happened and what is
happening.
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