What kind of changes did Modernism bring about in the form and content of the English novel ? Explain
The
term modernism refers to the radical shift in aesthetic and cultural
sensibilities evident in the art and literature of the post-World War One period.
The ordered, stable and inherently meaningful world view of the nineteenth
century could not, wrote T.S. Eliot, accord with "the immense panorama of
futility and anarchy which is contemporary history." Modernism thus marks
a distinctive break with Victorian bourgeois morality; rejecting
nineteenth-century optimism, they presented a profoundly pessimistic picture of
a culture in disarray. This despair often results in an apparent apathy and
moral relativism.
In
literature, the movement is associated with the works of (among others) Eliot,
James Joyce, Virginia Woolf, W.B. Yeats, Ezra Pound, Gertrude Stein, H.D.,
Franz Kafka and Knut Hamsun. In their attempt to throw off the aesthetic burden
of the realist novel, these writers introduced a variety of literary
tactics and devices:
the
radical disruption of linear flow of narrative; the frustration of conventional
expectations concerning unity and coherence of plot and character and the cause
and effect development thereof; the deployment of ironic and ambiguous
juxtapositions to call into question the moral and philosophical meaning of
literary action; the adoption of a tone of epistemological self-mockery aimed
at naive pretensions of bourgeois rationality; the opposition of inward
consciousness to rational, public, objective discourse; and an inclination to
subjective distortion to point up the evanescence of the social world of the
nineteenth-century bourgeoisie.................
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