Analyse Joseph Conrad’s ‘The Lagoon’ as a
tale of passion and remorse.
The soul of the short story is brevity, and critics would
aver unity, too. Conrad who is usually famous for his novellas
uses a relatively shorter from in The Lagoon, but detractors would
claim that there is paraphernalia of themes marring the strict unity of effect.
Although the short story rarely has the scope for anything more than a bore
incident, Conrad’s short story is unique in its portrayal of an
almost entire life. It is a sage of life that involves four diverse
themes death, love, courage and guilt to
select one among the four as the focal theme would appear an impossibility
since Conrad’s mastery of the art makes the four themes interrelate
each other.
The entire short story diffuses an atmosphere of
darkness and death. At first glance, the story would almost qualify for
the Stevensoniantenet that the primary element in a short story may
be a distinct atmosphere, the character serving only to enhance the effect. The
entry into ‘the portals of a land from which the very moment of motion had for
ever departed’ suggests the somber nature of the settling. Darkness appears
ooze from the dense forest and when the white man reaches Arsat’s clearing, the
first question that the European is whether he is in possession of any
medicine. The description of the ill woman suggests the presence of death:
“………… on the young face there was the
Ominous and fixed expression – the absorbed,
Contemplating expression of the unconscious
Who are going to die?”
Even the white man is drawn into sympathy and
move to horror and fascination at ‘the inspiration and the wonder of death’.
The proximity of death which is unavoidable and uncomfortable made the
stillness of the surrounding appears “untrustworthy and infamous like….
Unjustifiable violence.” ................
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